Breaking Americana's Rules...that's what Shovels and Rope do according to the Rolling Stone. They'll perform here in Hickory, NC at Music in the Mill on August 17th! https://www.rollingstone.com/music/music-country/how-shovels-rope-are-breaking-americanas-rules-on-new-album-188944/
Tyler Childers + Kelsey Waldon – Friday November 16th, 2018
Like many great Southern storytellers, singer-songwriter Tyler Childers has fallen in love with a place. The people, landmarks and legendary moments from his childhood home of Lawrence County, Kentucky, populate the 10 songs in his formidable debut, Purgatory, an album that’s simultaneously modern and as ancient as the Appalachian Mountains in which events unfold.
The album, co-produced by Grammy Award winners Sturgill Simpson and David Ferguson, is a semiautobiographical sketch of Childers’ growth from wayward youth to happily married man, told in the tradition of a Southern gothic novel with a classic noir antihero who may just be irredeemable. Purgatory is a chiaroscuro painting with darkness framing light in high relief. There’s catharsis and redemption. Sin and temptation. Murder and deceit. Demons and angels. Moonshine and cocaine. So much moonshine and cocaine. All played out on the large, colorful canvas of Eastern Kentucky.
Childers had been searching for a certain sound for his debut album for years as he honed his craft, and was finding it elusive when his friend, drummer Miles Miller, introduced him to Simpson, the Grammy Award-winning musician and fellow Kentuckian. Childers sent Simpson a group of his songs, then went to visit him in Nashville.
“And he said, ‘There’s this sound. I know what you’re trying to get at, the mountain sound,'” Childers recalled. “‘So I asked, ‘What are you doing?'”
Intrigued, Simpson enlisted the aid of Ferguson, the Grammy Award winning sound engineer. They assembled a band that included multi-instrumentalists Stuart Duncan, Michael J. Henderson and Russ Pahl, bassist Michael Bub and Miller on drums, of course, and helped Childers make a debut album of consequence that announces an authentic new voice.
“I was writing an album about being in the mountains,” Childers said. “I wanted it to have that gritty mountain sound. But at the same time, I wanted a more modern version of it that a younger generation can listen to — the people I grew up with, something I’d want to listen to.”
Over the past seven years, Kelsey Waldon’s life has changed drastically. Since moving to Nashville, she’s found her place in a lush, supportive, and versatile artist community. She’s released two albums, played with some of music’s biggest names, and toured nationally. She made her debut performance on the Grand Ole Opry at the hallowed Ryman Auditorium, and she’s already been bestowed with one of Nashville’s highest honors: playing the historic Station Inn, the go-to spot of the 70’s, where intimate, post-Opry jam sessions were hosted by legends like Jimmy Martin, Bobby Osborne, and Bill Monroe. While most musicians work a lifetime to achieve that status of success, Kelsey Waldon’s talent has earned her way to the top in a matter of years. And even though she traded her small town for the city, she’s making moves in country.
Straddling the junction of the Ohio River and the Mississippi, Waldon was born in Ballard County, Kentucky, and raised in one the county’s even smaller, unincorporated communities, lovingly named Monkey’s Eyebrow. The destination has been spotlighted by NPR and Roadside America, but the Western Kentucky town is about as “rural America” as it gets. Waldon’s family roots in the Bluegrass State date back over ten generations, from tobacco farmers to cattle raisers, and a general cast of real strong-spirited characters. “Farming and planting tobacco were some of the first jobs I had growing up,” she says; but dating back even farther, to some of her very first memories, is her relationship with music. Inspired by ‘a melting pot of influences’, Waldon took notes from a wide variety, spanning from legends like Merle Haggard and Mavis Staples, to bluegrass luminaries Ralph Stanley and Ricky Skaggs, and songwriting greats John Prine, Bob Dylan, and Townes Van Zandt. When she picked up the guitar at 13, she never looked back. “I finally felt like I was a part of something when I started playing and writing music. It was something that finally made everything make sense, and it was a very essential and healthy thing for me during my younger years, and still is.”
While Waldon faced a multitude of obstacles during adolescence, music always remained a constant source of stability in her life — and out of that adversity, she crafted a distinct sound that meets at the juncture of classic country, bluegrass, soul, R&B, and rock and roll. “I wasn’t one of those kids that applied for college or probably even took it very seriously upon graduating high school. I wanted to do things my own way, so I didn’t go to college and I moved to Nashville, on a whim really,” she says. Despite her initial feelings, Waldon ended up at Belmont University, studying Songwriting and Music Business, and became the first person in her family to graduate college. While working toward her degree, she played gigs at ‘any bar that would let her in the door and on the stage’ and worked 45+ hour work weeks at a minimum wage job. After graduating, Waldon continued playing local dive bars and venues, including one of Nashville’s most famous honky-tonks, The Palace, where she also worked as a bartender.
Waldon’s traction skyrocketed with the release of her debut LP The Goldmine, which The Fader dubbed as “the brightest country debut of 2014”. Relix claimed it was “dripping with the most sought-after currency of authenticity.” The album was named one of Rolling Stone’s “10 New Artists You Need To Know: Summer 2014,” with journalist Marissa Moss calling Waldon, “Tammy Wynette on a trip to Whiskeytown, as unafraid of heavy twang and spitfire pedal steel as coffeehouse confessionals.”
By the time I’ve Got A Way hit in 2016, she had established herself as one of Nashville’s founders of the female-pioneered twang revival — a movement that is quickly redefining the modern country music narrative. Her sophomore album ranked on two of NPR’s most-acclaimed lists of the year; Fresh Air host Ken Tucker’s “Top 10 Favorite Albums of 2016” alongside Beyonce, Miranda Lambert, and Stax legend William Bell. The album’s shining single, “All By Myself” was named on their list of “Top 100 Songs of 2016.” The video for the single, filmed in her hometown of Monkey’s Eyebrow, was featured on Rolling Stone Country and Billboard. One of the most notable supporters of I’ve Got A Way was Ann Powers, who admired the record’s “delightfully direct language and delivery enhancing vivid musical settings that demonstrate her vast understanding of the traditions she mines.” Powers went on to praise Waldon’s unique talent in NPR’s First Listen, saying, “It’s the immediacy of her storytelling, utterly unsentimental yet deeply heartfelt, that makes Kelsey Waldon a queen of the cool rejoinder and an all-around contender.”
Since the release of I’ve Got A Way, she’s been busy touring the country — sometimes solo, but more often than not, with a tight-knit band of extremely talented musicians. But despite the fame and notoriety she’s seen in the past three years, Waldon remains humbled by her success. “I’ve spent a huge majority of my life studying my favorite records, my favorite songs, and my most-favorite singers,” she says, adding, “You never stop learning or gaining from it. I’m still doing it all the time… all the while still writing my own story and hopefully becoming an entity in my own right.” If one thing is set in stone with Kelsey Waldon, it’s that she does have a way — and it’s straight up from here.
DOORS – 7:30PM
SHOW – 8:10PM
DOORS – The doors will open at 7:30pm and the show will begin at approximately 8:10pm. The beginning and end of a set is at the discretion of the performing act, although we contract them for a minimum set length.
SEATING – There is no seating available. This concert is STANDING ROOM ONLY.
PARKING – Our FREE PARKING is located behind the Mill. Follow the Event Parking signs and the directions given to you by The Crossing staff. Remember to please clean up after yourself. On occasion, the neighboring businesses may choose to offer preferred parking in their private lots for a small fee. ***Please DO NOT park in private lots BEFORE 5pm on weekdays. You will be disrupting business operations and will be towed.***
This is an ALL AGES show.